Mahanidhi Madan Gopal Das

The rules start with basic mechanical arrangements and end with the proper mood and meditation. Anyone who follows these eight rules will surely improve his japa and receive delightful rewards from sri-nama.

1. Night before–Give up rice and eating heavy foods at night. Take simple foods such as milk and fruits. By eating a light meal you will sleep soundly, rise early without difficulty, and have full energy for attentive japa the next morning. The night before make a sankalpa or firm vow: “Tomorrow morning, I will chant with full concentration and sincere feelings.”

Upon waking, take a full bath or at least wash the mouth, face, hands and feet with cold water before chanting. If you feel sleepy or dull headed, a kirtana with karatalas will immediately invigorate the dull mind and purify the enviroment.

2. Time, Place, Mind–Start chanting very early in the morning, either with devotees, Tulasi-devi, Thakuraji, or in a place free from disturbance. Sit before your Deities or Tulasi-devi and chant prayers to Sri Guru and the parampara, the six Gosvamis and the Panca-tattva. Remember Thakura Haridasa and pray for his mercy. Pray to the holy name to help you chant with full attention, purely, and free from offenses.

If the mind starts “jumping,” calm it down by prayer, pranayama, or loud chanting. Sri Caitanya’s Sikasastaka is the ideal prayer to recite and reflect upon before and during japa. A very good technique of concentration is to remember the meaning of the third sloka (trnad api sunicena) throughout the japa period.

3. Chanting Techniques–a) “Sit properly.” Yoga sastras proclaim that sitting straight facilitates concentration: “Right posture makes the mind calm.” (Tantra-raja-tantra 27, 59) “For purification of the body and for success in yoga, posture is absolutely necessary.” (Rudra-yamala-tantra 2.24.38-39) “By the practice of good posture the body becomes disease-free, firm and efficient.” (Graha-yamala 2.85)

b) Chant without interruption. Once in Los Angeles, disciples asked Srila Prabhupada what would please him most. “Chant sixteen rounds of japa at one sitting without interruption!” said Srila Prabhupada.

c) Be careful to clearly and distinctly pronounce the holy names.

4. Concentration–Collect all thoughts into one; concentrate on the sound vibration.

5. Control the Mind–a) Pull it back when it wanders. Chanters Beware!!! Yoga sastras say that tamo-guna and sleep usually attack a sadhaka after he has practiced one hour of meditation. In other words, after sitting peacefully and chanting japa for one hour, one should be watchful and check his energy and attention levels. If you feel drowsy or dull headed, then chant loudly to shake off tamo-guna; go outside for a japa walk; drink some cold water and splash some on your face; do sirsasana (headstand) for 2 minutes and 10 rounds of pranayama; or a few stretching exercises. Refreshed and invigorated, sit before Tulasi-devi again and renew your japa meditation.

b) Cut the tendency to recall events from yesterday, last week or the year before. The bird of the mind flies on two wings: the past and the future. Cut off the wings. Be here now: Hear, chant and remember-love, serve and surrender! “Forget the past that sleeps; and never the future dream at all. Deal with times that are with you, and progress you shall call.” (Saranagati)

c) Don’t plan today’s duties. If the mind persistenly dwells on the “shopping list” or “things to do today”, then stop briefly, write down the points, and chant japa with a tranquil mind.

6. Absorb Four Qualities–try to fill the mind with the four qualities recommended in the third verse of Sri Caitanya’s Siksastaka: humility, tolerance, pridelessness and respect for all.

7. Meditation–while chanting, meditate on the form of Radha-Syama, or the meaning of the holy names revealed by the previous acaryas.

8. Mood–chant with a feeling of longing for Kṛṣṇa, hankering for Kṛṣṇa and crying for Kṛṣṇa. “This chanting is exactly like the genuine cry of a child for its mother’s presence.” (SSR)

Of course, this should not be done in an artificial way. But rest assured, Sri Kṛṣṇa will respond to the sincere and helpless cries of a humble devotee chanting with a repentant heart.

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

golokera prema-dhana, hari-nāma-saṇkīrtana, rati nā janmilo kene tāy

The treasure of love of God has descended from the spiritual world of Goloka Vṛndāvana; appearing in this world as the saṇkīrtana movement of chanting Hari’s holy names. Alas! Why am I not attracted to it? (Prarthana)

In this bhajana, Narottama dasa Thakura says that goloka prema, pure love of God in the mood of Vraja, has descended from the spiritual world in the form of the chanting vibration. Although the all-attractive sweet Lord Kṛṣṇa is approaching everyone through His holy names, He cannot be perceived without the proper attitude. Attitude refers to one’s mood, mentality, approach, viewpoint or mind-set regarding a person or activity. One should chant japa with an attitude of service and surrender–begging for Kṛṣṇa’s mercy.

Chanting the holy name without a service attitude produces sound but not divinity. Such bogus, imitative sound is lip deep but not heart deep; like a gun firing blanks instead of bullets. Pure devotional service alone can connect or link Vraja Gokula with the material world. Vraja Gokula, Kṛṣṇa, His associates, and all His wonderful pastimes descend to this world (golokera prema-dhana) and manifest in the heart filled with seva-bhava.

Chanting must be saturated with a mentality of selfless service; desiring only to please Kṛṣṇa. Srila Prabhupada always said chanting means begging for service: “O my Lord! [Kṛṣṇa] O my Lord’s energy! [Hare, Radha] Please engage me in Your service.” The true transcendental name of Kṛṣṇa can be heard only through the serving mind, not through the material ears of the enjoying mind.

“By a service attitude, if you chant the Hare Kṛṣṇa mantra without any offense, then Kṛṣṇa will reveal Himself.” (SPT 22/10/72)

“Our progress depends on the favor of the higher side. It does not depend so much on our own ability, but on our submission and surrender–our hankering for mercy. My attitude must invite the higher authority to come down to my level and help me, favor me. To attract the Lord’s attention we shall require surrender, submission and humility.

“We can press our position by praying: ‘O my Lord! I am in the worst need; without Your grace I cannot stand. I am helpless. I cannot endure without Your favor.’

“If we truly feel ourselves to be low and in want, then the supply of mercy will come from the higher plane. Everything moves according to Kṛṣṇa’s sweet will. Our problem is how to draw His attention. This will be possible only by increasing our negative tendency, by proving to Kṛṣṇa, in a bona fide way, that I am the most needy.” (Subjective Evolution, adapted)

An excerpt from the book Art of Chanting

Маханидхи Мадан Гопал Дас Бабаджи Махарадж 

 

Повторяя эту великую молитву с верой и трансцендентной преданностью в день явления Господа Чайтаньи [Гаура-Пурнима], человек обязательно достигнет исполнения всех своих чистых желаний. 

намаскритйа правакшйами, дева-девам джагад-гурум
намнам-аштоттара-шатам, чайтанйасйа махатманах 

“О великая душа! Выразив почтение Богу всех Богов, Который является духовным учителем всей вселенной, я поведаю 108 святых имён Господа Чайтаньи. 

вишвамбхаро джита-кродхо, майя-мануша-виграхах
амайи майинам шрештхо, варо-дешо двиджоттамах 

Гауранга поддерживает вселенную, побеждает влияние мирского гнева и принимает иллюзорную форму человека. Ему не свойственно мошенническое поведение, но при этом он величайший из мошенников, появившийся  на лучшей земле и является высшим брахманом. 

джаганнатха-прия-сутах, питри-бхакто маха-манах
лакшми-кантах шачи-путра, премадо бхакта-ватсалах 

Гауранга – самый дорогой сын Джаганнатхи Мишры, Гауранга – преданный Своего отца, и Он обладает блестящим интеллектом. Он возлюбленный муж Богини Процветания, сын матери Шачи, дарующий экстатическую любовную преданность, и Он очень привязан к Своим преданным.  

двиджа-прия двиджа-варо, вайшнава-прана-найаках
дви-джати-пуджаках шантах, шриваса-прия ишварах 

Гауранга дорог дважды инициированным брахманам, он лучший среди брахманов, и Он герой жизни и души преданного. Он поклоняется брахманам. Он миролюбив и свят. Он очень дорог Шривасе Пандиту, и Он – Верховный Повелитель. 

тапта-канчана-гаурангах, симха-гриво маха-бхуджах
пита-васа ракта-паттах, шах-бхуджо ’тха чатур-бхуджах 

Цвет Его тела подобен расплавленному золоту, шея как у льва, руки очень мускулистые. Он носит желтую одежду [как домохозяин] и красную одежду как санньяси. Он проявляет шестирукую форму, а также четырехрукую форму. 

дви-бхуджаш ча гада-пандих, чакри падма-дхаро ‘мала
панча-джанйа-дхарам саргьи, вену-паних суроттамах 

Гауранга имеет двурукую форму, держит булаву, диск, лотос. Он безгрешен. Он держит раковину панчаджанья, лук, флейту и является лучшим из полубогов. 

камалакшешварам прито, гопа-лиладхаро йува
нила-ратна-дхаро рупйя, хари каустубха-бхушанах 

Гауранга – Повелитель лотосоокой Лакшми. Его любят все живые существа. Он – обитель пастушьих игр, он в величии своей  молодости. Он любит носить сапфиры, серебряные ожерелья и украшен драгоценным камнем каустубха 

шриватса-ланчано бхасван, мани-дхрик канджа-лочанах
татанка-нила-шри рудра, лила-кари гуру-прийах 

Гауранга украшен знаком Шриватсы, а Его фигура украшена множеством сверкающих драгоценных камней. Его глаза подобны лепесткам лотоса. Его величие подчеркивают сапфировые серьги. Иногда он разыгрывает игры Господа Шивы, и Он очень дорог Своему духовному учителю. 

сва-нама-гуна-вакта ча, намопадеша-дайаках
ачандала-приях шуддхах, сарва-прани-хите ратах 

Гауранга сознает свойства Своих собственных святых имен. Он делится учением о святых именах. Он дорог даже самому низкому из отверженных. Его характер абсолютно безупречен. Он заботится о благе всех живых существ. 

Вишварупануджах сандхья, ватарах-читалашайах
нихсима-каруно гупта, атма-бхакти-правартаках 

Гауранга – младший брат Вишварупы. Он воплотился в сумерки. Он хочет охладить жгучие страдания живых существ. Его сострадание безгранично. Он очень сокровенный. Он проповедует преданность истинному “я”. 

маханандо нато нритйа, гита-нама-приям кавих
арти-прийах шучих шуддхо, бхавадо бхагават-прийах 

Гауранга погружен в величайшее блаженство. Он подобен драматическому актеру, Он любит танцевать, петь и повторять святые имена. Он образованный ученый и поэт. Он дорог тем, кто страдает. Он безупречно чист и абсолютно непорочен. Он дарует экстатические любовные эмоции. Он близок великим преданным. 

индради-сарва-локеша, вандита-шри-падамбуджах
ньяси-кудаманих Кришна, саннйасашрама-паванах

Божественным лотосным стопам Гауранги поклоняются Господь Индра и все правители различных райских планет. Он – главная драгоценность отреченных. Он – всепривлекающая Верховная Личность Бога. Он – великий пример для всех саньяси.  

чайтанья кришна-чайтаньо, данда-дхриг ньяста-данадаках
авадхута-прийо нитья, нанда-сад-бхуджа-дарсаках 

Гауранга – это всепривлекающая живая сила всего творения. Он носит посох принявшего отречение и также отказывается от него. Он дорог Шри Нитьянанде Прабху, божественному безумцу. Он являет Нитьянанде Свою шестирукую форму. 

мукунда-сиддхи-до дино, васудевамрита-прадах
гададхара-прана-натха, арти-ха шарана-прадах 

Гауранга дарует совершенство Своему преданному Мукунде. Он кроток и смиренен. Он дарует нектар своему прокаженному преданному Васудеве. Он – Повелитель жизни Гададхары Пандита. Он избавляет Своих преданных от страданий. Он дарует высшее прибежище Своим преданным. 

акинчана-приям прано, гуна-грахи джитендрийах
адоша-дарши сумукхо, мадхурам прийа-даршанах 

Гауранга дорог тем, у кого ничего нет. Он – жизнь и душа всего творения. Он принимает только хорошие качества других. Он тот, кто  одерживает победу над влиянием материальных чувств. Он слеп к недостаткам других. Его лицо очень привлекательное и он самый сладостный. Созерцание Его – это сокровище . 

пратапа-рудра-самтрата, рамананда-прийо гурух
ананта-гуна-сампаннах, сарва-тиртхаика-паванах 

Гауранга избавляет Махараджа Пратапарудру от препятствий. Он тот, кого любит Рамананда Рай. Он – духовный учитель каждого живого существа. Он наделен безграничными хорошими качествами. Он – единственный, кто очищает все места паломничества. 

вайкунтха-натхо локешо, бхактабхимата-рупа-дхрик
нарайано маха-йоги, гьяна-бхакти-прадах Прабхух 

Гауранга – Повелитель духовного мира, свободного от тревог, и всех материальных планет. Он принимает различные формы в соответствии с желаниями Своих преданных. Он – высшее прибежище для всех живых существ. Он величайший исполнитель йоги. Он передает интеллектуальное знание о преданности. Он – Господь и Повелитель всего сущего. 

пиюша-вачанах притхви, паванам сатья-вак сахам
ода-деша-джанананди, сандохамрита-рупа-дхрих  

Слова Гауранги источают потоки чистого нектара. Он – спаситель земли. Он говорит правду. Он может вынести все формы страданий. Он восхищает жителей Ориссы. Он  является воплощением формы всего вселенского нектара. 

Йам патхед пратар уттхайа, чайтанйасйа махатманах
шраддхайа парайопетах, стотрах сарвага-нашанам
према-бхактир харау тасйа, джайате натра самшайах 

О, великая душа! Рекомендуется утром [6-8:24 утра] с верой  прочитать эту трансцендентную молитву Шри Чайтанье Махапрабху, уничтожающую грехи. Без сомнений, тот, кто это сделает, почувствует пробуждение экстатической любви и преданности к Господу Хари. 

асадхйа-рога-юкто’пи, мучйате рога-санкатат
сарвапарадха-юкто’пи, со ‘парадхат прамучйате 

Даже тот, кто страдает от неизлечимой болезни, освобождается от опасности этого недуга. Даже если человек совершил все виды оскорблений, он освобождается от их последствий. 

пхалгуни-паурнамасьян ту, чайтанья-джанма-васаре
шраддхайа парая бхактйа, маха-стотрах, пурам
йад йат пракуруте камах, тат тад эвачирал лабхет 

Если человек повторяет эту великую молитву с верой и трансцендентной преданностью в день явления Господа Чайтаньи [Гаура-Пурнима], то он безусловно достигнет исполнения всех своих чистых желаний. 

апутро вайшнавам путрам, лабхате натра самшайам
анте чайтанья-девасйа, смритир бхавати сашвати 

Если пара преданных хочет ребенка, но не может, то они, без сомнения, обретут ребенка. И в момент смерти они вспомнят о Шри Чайтанья-деве и войдут в Его вечные игры”.

Джаганнатха Мишра назвал Своего божественного сына Вишвамбхарой, а мать Шачи – Нимай. Имя Гауранга было дано, когда Он получил священный шнур [брахмана дикша]. В школе Его называли Нимай Пандита. Его преданные называли Его Гаурой, Прабху или Шри Гаурангой. Его фамилия была Шри Кришна Чайтанья, потому что Он пробуждал Верховного Господа, Шри Кришну, в сердцах людей. 

“Исполненная блаженства  Верховная Личность Бога – Господь Гауранга, привлекает сердца каждого. Такова Его необыкновенная природа. Пребывая в высшем блаженстве, Он может погрузить в блаженство всех живых существ, так же, как богатый человек может сделать богатым любого. Гауранга наполняет изумлением  сердце каждого. Это признак Верховной Личности Бога”. (Шри Чайтанья Чандрамрита) 

“После ухода Господа Чайтаньи именно Господь Нитьянанда Прабху открыл миру истинную природу Шри Гауранги Махапрабху. Воздев руки к небу, Господь Нитьянанда раздал безграничную милость, проповедуя: “Души Кали-юги, приходите. Оставьте это лицемерие. Просто примите чистую экстатическую любовь Шри Гауранги! Откажитесь от трудных путей кармы и гьяны, которые направлены только на телесный и умственный комфорт. Я одарю вас безграничным счастьем без трудностей, потерь, боли или расплаты.” 

“Просто прокричите имя ‘Гауранга! Гауранга! Гауранга!’ и самозабвенно танцуйте . Счастье, которое я дарю, не сравнимо ни с чем. Это трансцендентное счастье – чистое, радостное, экстатическое – вечное духовное блаженство. Оно полностью за пределами иллюзии”. (Навадвипа Дхам Махатмья) 

бхаджа гауранга, кохо гауранга
лохо гаурангера нама ре
бхаджа гауранга, бхаджа гауранга
бхаджа гауранга нама ре  

Поклоняйтесь Гауранге! Говорите о Гауранге! И повторяйте имя Гауранги! Поклоняйтесь Гауранге, поклоняйтесь имени Гауранги! (Чайтанья Бхагават)

Mahanidhi Madan Gopal Das

Shelter and Surrender

In “Arunodaya-kirtana” Srila Bhaktivinoda Thakura explains that the nectar-filled names of Kṛṣṇa are the sole shelter within the universe:

kṛṣṇa-nāma-sudhā koriyā pāna, jurāo bhakativinoda-prāṇa,
nāma binā kichu nāhiko āro, caudda-bhuvana-mājhe

Drink the pure nectar of the holy name of Kṛṣṇa and thus satisfy the soul of Bhaktivinoda. Except for the holy name there is nothing within the fourteen worlds.

One must be thoroughly convinced that there is absolutely no other shelter or source of protection in this trouble-filled world beside Lord Sri Kṛṣṇa, who is fully present in His holy name. With this conviction and realization one should chant the Hare Kṛṣṇa maha-mantra.

“Taking full shelter means to express the mood, ‘O Kṛṣṇa, I am Yours! I am taking shelter of You!’ (he radhe! he kṛṣṇa! tavaivasmi) in the mind and out loud.” (Jaiva Dharma ch. 20)

To have faith in the holy name one must firmly establish the six symptoms of self-surrender (saranagati) within his heart. Jaiva Dharma gives a clear description of surrender:

ānukūlyasya saṅkalpaḥ prātikūlyasya varjanam
rakṣiṣyatīti viśvāso goptṛtve varaṇaṁ tathā
ātma-nikṣepa-kārpaṇye ṣaḍ-vidhā śaraṇāgatiḥ

(Hari-bhakti-vilasa 11.676)

“The first two symptoms of surrender are ānukūlyasya saṅkalpaḥ and prātikūlyasya varjanam: ‘One should take a solemn vow (sankalpa) that I will only do that which is favorable for unalloyed bhakti, and I will reject all unfavorable acts.’ The third symptom is faith in Kṛṣṇa as one’s protector (rakṣiṣyatīti): ‘Kṛṣṇa is my only protector. I can derive nothing from jnana, yoga, and other such practices.’ This expresses one’s trust (viśvāso) in Kṛṣṇa.

“The fourth symptom is the deliberate acceptance of Kṛṣṇa as one’s maintainer (goptṛtve varaṇaṁ): ‘I cannot do anything, or even maintain myself by my own endeavor. I will serve Kṛṣṇa as best I can, and He will surely take care of me.’ The fifth symptom of surrender (ātma-nikṣepa): ‘Who am I? I am His. My only duty is to fulfill Kṛṣṇa’s desire.’ This is submission of the self (atma-nivedana). The sixth symptom is humility (karpanye): ‘I am wretched, insignificant, and mentally destitute.’ ” (Jaiva Dharma ch. 6)

Since there is no difference between Kṛṣṇa and His holy name, one can think of the six symptoms of surrender in relation to the maha-mantra. Thus while chanting Hare Kṛṣṇa mantra japa one can take a solemn vow: “I will only accept those people, places, actions, thoughts, desires, and feelings that are conducive to chanting suddha-nama, and I will reject everything opposed to it. I have complete faith, which means full love and trust, that the name of Kṛṣṇa is my only protector. Alone I am powerless, but Kṛṣṇa’s name is maintaining me and taking care of all my needs. All I have to do is chant, chant, chant!

“I am His, everything for Nama. My only duty is to serve Kṛṣṇa’s name by chanting with pure love. O most sweet and beautiful Sri Nama Prabhu! I am wretched, worthless, crazy and insignificant. I am lower than the straw in the street. Now please be causelessly merciful to me. Please pick me up and keep me as a particle of dust at Your lotus feet.”

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

By fully surrendering to the chanting process one will receive the causeless mercy of the name. The blissful pastimes of Kṛṣṇa will then flow through the mind without any effort. Kṛṣṇa will reveal everything in a purified heart, sevonmukhe hi jihvādau svayam eva sphuraty adaḥ. Sarasvati Thakura says such wonderful realizations are impossible without Kṛṣṇa’s holy name:

rūpa-guṇa-līlā-sphūrti nāma chāḍā haya nā
rūpa-guṇa-līlā hoite kṛṣṇa-nāma haya nā

“Revelations of the Lord’s transcendental form, qualities, and pastimes are never manifest in the absence of His holy name. The holy name of Kṛṣṇa is never separated from His transcendental form, qualities or pastimes.” (Prākṛta Rasa Śata Dūṣiṇī, 31)

Srila Bhaktisiddhanta Sarasvati describes chastity of the senses: “Other than the pure transcendental names of Kṛṣṇa, which are completely free from all material contact, nothing else should be spoken. Other than the pure transcendental forms of Kṛṣṇa, which are completely free from all material contact, nothing else should be seen. Other than the pure transcendental qualities of Kṛṣṇa, which are completely free from all material contact, nothing else should be heard. Other than the pure transcendental pastimes of Kṛṣṇa, which are completely free from all material contact, nothing else should be served.” (Prākṛta Rasa Śata Dūṣiṇī, 45-46)

It is only by the mercy of Sri Guru and Lord Gauranga that one will obtain these sublime states of Kṛṣṇa consciousness.

namo mahā-vadānyāya kṛṣṇa-prema-pradāya te
kṛṣṇāya kṛṣṇa-caitanya- nāmne gaura-tviṣe namaḥ

His nature (tattva) is that He is Kṛṣṇa Himself. His name (nāma) is Kṛṣṇa Caitanya. His form (rūpa) is golden. His quality (gūna) is that He is the most magnanimous of all incarnations. His pastime (līlā) is to distribute the highest love of Godhead, kṛṣṇa-prema. I offer my obeisances unto that most generous Lord, Sri Kṛṣṇa Caitanya Mahaprabhu. (Caitanya Caritamrita Madhya 19.53)

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

Nama to Rupa

Kṛṣṇa’s beautiful divine form and His holy name are nondifferent. Kṛṣṇa’s name is identical with His form. Thus chanting Kṛṣṇa’s holy name immediately manifests Kṛṣṇa’s beautiful form within the mind purified by devotion.

nāma’, ‘vigraha’, ‘svarūpa’ tina eka-rūpa, tine ‘bheda’ nāhi, tina ‘cid-ānanda-rūpa’
deha-dehīra, nāma-nāmīra kṛṣṇe nāhi ‘bheda,’ jīvera dharma nāma-deha-svarūpe ‘vibheda’
ataeva kṛṣṇera ‘nāma’, ‘deha’, ‘vilāsa ‘ prākṛtendriya-grāhya nahe, haya sva-prakāśa

The Lord’s holy name, form, and personality are all one and the same. There is no difference between them. Since all of them are absolute, they are transcendentally blissful. There is no difference between Kṛṣṇa’s body and Himself, or between His name and Himself. For conditioned souls everything is different. One’s name is different from one’s body, from one’s original form, and so on. The holy name of Kṛṣṇa, as well as His body and His pastimes cannot be understood by the blunt material senses; they are self-manifest. (Caitanya Caritamrita, Madhya 17.131,132,134)

Sri Kṛṣṇa Bhajanamrta says when a sadhaka becomes fortunate and fully surrenders to sri-nama, he will then perceive the transcendental rupa (form) within nama, guna (qualities) within that rupa, and lila (pastimes) in those gunas. The transcendental form, qualities and pastimes of the holy name will manifest within one’s heart in the natural sequence of bhajana as a result of one’s sincere service to pure devotees. At this stage of spiritual advancement, one takes shelter of gopi-bhava to enter the eternal service of Radha-Govinda in Vraja-dhama.

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

The sastras state that by chanting Kṛṣṇa’s holy name one will eventually see the Lord’s transcendental form, qualities and pastimes. How does this happen? The Svetasvatara Upanisad 1.13-14 gives a wonderful explanation how transcendental sound reveals the form of God:

“The material form (murti) of fire when latent in its source (i.e. the firewood) is not perceived–but yet remains there in its subtle form. When two sticks of wood are rubbed together with enough force or friction, then that dormant fire manifests.

“Similarly, by making one’s own body the lower friction stick (arani) and the syllable om (pranava) the upper friction stick, and by practicing the friction of meditation (dhyana) one may see the Supreme Personality of Godhead hidden within one’s heart.”

The verse above explains that the form of God is within every body (one friction stick), and the form of God is within the name Om, (the second friction stick). However, without applying the proper process of sadhana, namely chanting and meditation, one will not perceive the Lord either in his heart or in the holy name. One can conclude from this sastric statement that by sincerely chanting and meditating upon the Hare Kṛṣṇa maha-mantra, which contains om, one will perceive the form of Kṛṣṇa within his heart.

Therefore, using the “friction stick” of the maha-mantra is a prerequisite for attaining either internal or external darsana of Lord Sri Kṛṣṇa.

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

In Topmost Yoga System, Srila Prabhupada delivers a wonderful illumination on the holy name:

“The transcendental vibration established by the chanting of Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, is the sublime method for reviving our transcendental consciousness. As living spiritual souls, we are all originally Kṛṣṇa conscious entities, but due to our association with matter from time immemorial, our consciousness is now adulterated by the material atmosphere. The material atmosphere, in which we are now living, is called māyā, or illusion. Māyā means that which is not. And what is this illusion? The illusion is that we are all trying to be lords of material nature, while actually we are under the grip of her stringent laws.

“When a servant artificially tries to imitate the all-powerful master, it is called illusion. We are trying to exploit the resources of material nature, but actually we are becoming more and more

entangled in her complexities. Therefore, although we are engaged in a hard struggle to conquer nature, we are ever more dependent on her. This illusory struggle against material nature can be stopped at once by revival of our eternal Kṛṣṇa consciousness.

“Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare is the transcendental process for reviving this original pure consciousness. By chanting this transcendental vibration, we can cleanse away all misgivings within our hearts. The basic principle of all such misgivings is the false consciousness that I am the lord of all I survey.

“Kṛṣṇa consciousness is not an artificial imposition on the mind. This consciousness is the original natural energy of the living entity. When we hear the transcendental vibration, this consciousness is revived. This simplest method of meditation is recommended for this age.

“By practical experience also, one can perceive that by chanting this mahā-mantra, or the Great Chanting for Deliverance, one can at once feel a transcendental ecstasy coming through from the spiritual stratum. In the material concept of life we are busy in the matter of sense gratification as if we were in the lower animal stage. A little elevated from this status of sense gratification, one is engaged in mental speculation for the purpose of getting out of the material clutches. A little elevated from this speculative status, when one is intelligent enough, one tries to find out the supreme cause of all causes–within and without. And when one is factually on the plane of spiritual understanding, surpassing the stages of sense, mind and intelligence, he is then on the transcendental plane.

“This chanting of the Hare Kṛṣṇa mantra is enacted from the spiritual platform, and thus this sound vibration surpasses all lower strata of consciousness–namely sensual, mental and intellectual. There is no need, therefore, to understand the language of the mantra, nor is there any need for mental speculation nor any intellectual adjustment for chanting this mahā-mantra. It is automatic, from the spiritual platform, and as such, anyone can take part in vibrating this transcendental sound without any previous qualification. In a more advanced stage, of course, one is not expected to commit offenses on grounds of spiritual understanding.

“In the beginning, there may not be the presence of all transcendental ecstasies, which are eight in number. These are: (1) Being stopped as though dumb, (2) perspiration, (3) standing up of hairs on the body, (4) dislocation of voice, (5) trembling, (6) fading of the body, (7) crying in ecstasy, and (

trance. But there is no doubt that chanting for a while takes one immediately to the spiritual platform, and one shows the first symptom of this in the urge to dance along with the chanting of the mantra. We have seen this practically. Even a child can take part in the chanting and dancing.

“Of course, for one who is too entangled in material life, it takes a little more time to come to the standard point, but even such a materially engrossed man is raised to the spiritual platform very quickly. When it is chanted by a pure devotee of the Lord in love, it has the greatest efficacy on hearers, and as such this chanting should be heard from the lips of a pure devotee of the Lord, so that immediate effects can be achieved. As far as possible, chanting from the lips of nondevotees should be avoided. Milk touched by the lips of a serpent has poisonous effects.

“The word Harā is the form of addressing the energy of the Lord, and the words Kṛṣṇa and Rāma are forms of addressing the Lord Himself. Both Kṛṣṇa and Rāma mean the supreme pleasure, and Harā is the supreme pleasure energy of the Lord, changed to Hare (Hah-ray) in the vocative. The supreme pleasure energy of the Lord helps us to reach the Lord.

“The material energy, called māyā, is also one of the multi-energies of the Lord. And we, the living entities, are also the energy, marginal energy, of the Lord. The living entities are described as superior to material energy. When the superior energy is in contact with the inferior energy, an incompatible situation arises; but when the superior marginal energy is in contact with the superior energy, called Harā, it is established in its happy, normal condition.

“These three words, namely Harā, Kṛṣṇa and Rāma, are the transcendental seeds of the mahā-mantra. The chanting is a spiritual call for the Lord and His energy, to give protection to the conditioned soul. This chanting is exactly like the genuine cry of a child for its mother’s presence. Mother Harā helps the devotee achieve the Father’s grace, and then Lord Kṛṣṇa reveals Himself to the devotee who chants this mantra sincerely. No other means of spiritual realization is as effective in this age of quarrel and hypocrisy as the mahā-mantra.”

Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

Hare–O Hari! Please attract my mind and free me from this material world.

Kṛṣṇa–O Kṛṣṇa! Please attract my mind by pulling it toYou.

Hare–O Hari! Please attract my heart by showing Your unsurpassed sweetness.

Kṛṣṇa–O Kṛṣṇa! Please purify my mind with knowledge of bhakti given to me by Your own devotees.

Kṛṣṇa–O Kṛṣṇa! Please give me firm faith in Your name, form, qualities and pastimes.

Kṛṣṇa–O Kṛṣṇa! May I develop a taste for serving You.

Hare–O Hari! Please make me qualified for Your service.

Hare–O Hari! Please instruct me how to serve You properly.

Hare–O Hari! Please let me hear of Your intimate pastimes with Your cherished devotees.

Rama–O Radhika-Ramana! Please let me hear of Your confidential pastimes in Vraja with Your beloved Radhika.

Hare–O Radhika! Please reveal to me Your favorite pastimes with Your beloved Syamasundara.

Rama–O Radhika-Ramana! Please reveal to me Your splendid pastimes with Your beloved Radhika.

Rama–O Radhika-Ramana! Please engage me in remembering Your name, form, qualities and pastimes.

Rama–O Radhika-Ramana! Please make me qualified for Your eternal service.

Hare–O Hari! Having accepted me as one of Your own servitors, enjoy me as You please.

Hare–O Hari! Please perform Your transcendental pastimes with me. This is my humble prayer at Your lotus feet.

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

Hare–The enchanting beauty of Sri Kṛṣṇacandra steals the minds of all. But Srimati Radhika captivates the mind of Syama with Her alluring matchless cleverness. Therefore, She is known as Hara or Hare in the vocative case.

Kṛṣṇa–By His youthful beauty and the sweet sound of His flute, Sri Kṛṣṇa, who is decorated with the most charming qualities, attracts Srimati Radhika. Therefore, He is known as Kṛṣṇa.

Hare–The exalted devotees say that Sri Kṛṣṇa kidnapped doe-eyed Radhika and took Her to a secluded kunja within the rasa mandala. Therefore, Radhika is known as Hara (Hare in the vocative).

Kṛṣṇa–When Kṛṣṇa sports with Radhika, the splendid dark blue effulgence that emanates from His limbs makes shiny gold appear like blue sapphires. Therefore, He is known as Kṛṣṇa.

Kṛṣṇa–To fulfill the desire of Radhika, Sri Hari manifested Syama-kunda in the forest near Govardhana, and then pulled all the holy places there. The learned ones who know this secret call Him Kṛṣṇa.

Kṛṣṇa–Although He bewilders the world with His pastimes in the groves beside the Yamuna, Sri Hari is totally enthralled by the unparalleled love of Sri Radhika. For this reason, intellectuals call Him Kṛṣṇa.

Hare–When Kṛṣṇa killed the Aristasura demon, Sri Radha loudly chanted, “Hari! Hari!” Consequently She is known as Hara (Hare in the vocative).

Hare–Due to excessive love, Sri Radhika sometimes loudly sings the pastimes of Kṛṣṇa, and other times She sings in soft indistinct tones. Learned rasikas, therefore, call Her Hara (Hare in the vocative).

Hare–When intense ecstasies overwhelm Kṛṣṇa, He sometimes drops His flute in the forest of Vrndavana. At such times, Radhika snatches the flute, and therefore, She is called Hara.

Rama–Sri Kṛṣṇa is known as Rama because He enjoys with Radhika in the kunjas of Govardhana.

Hare–The most merciful Sri Radha destroys (hati) the miseries of the devotees, and daily bestows inner joy (rāti). Thus, She is called Hara (Hare in the vocative).

Rama–The minds of the devotees who worship Kṛṣṇa always float in the topmost ocean of bliss. Thus that beautiful dark blue form of Kṛṣṇa is called Rama.

Rama–Sri Radha pleases Sri Hari in the flower cottages with Her unprecedented love. Because He gives unlimited pleasure to Radha during Their confidential pastimes, He is known as Rama.

Rama–Seeing the Vrajavasis crying loudly in fear of the forest fire, Sri Kṛṣṇa effortlessly swallowed it. For this reason, Kṛṣṇa is known as Rama, because He pleased the Vrajavasis by rescuing them, and because He always arranges for His devotees to enjoy with Him.

Hare–Sri Kṛṣṇa went to Mathura to kill Kamsa and other miscreants. By Her desire to enjoy intimate pastimes with Kṛṣṇa, Sri Radhika brought Kṛṣṇa back to Vrndavana. Thus, Radhika is known as Hara.

Hare–When Sri Kṛṣṇa returned to Vrndavana, He removed all the sufferings of the Vrajavasis. He is known as Hari (Hare in the vocative) because He captivated Radhika’s mind by His wonderful pastimes.

An excerpt from the book Art of Chanting