Mahanidhi Madan Gopal Das

The Ten Amazing Seasons of Vraja

Because the seasons and forests are inseparable, we will first describe the astonishing transcendental forest of Vrindavana, which overflows with all wonderful attributes. Though the forest of Vrindavana contains the matchless essence of the majesty of Vaikuntha, it also features limitless sweetness and splendor that eternally manifests in newer ways at every moment.

The ever-increasing natural beauty of the forest kunjas rivals majestic houses made of priceless jewels. What exactly makes a kunja? The corners of the forest cottages (kunja) are formed of four tall kadamba trees which have many leafy branches that hang down to make natural canopies. Each of these four trees is encircled by two creepers appearing like a pair of embracing lovers. The creepers entangle with the flowers, leaves, and fruits of these trees to create a wonderful panorama of color, design and depth.

The four walls of the pastime cottages (kelimandirs) are made of flowering madhavi creepers that comprise the walls of the pastime cottages. The entwined branches of various creepers form the cottage doors that are surrounded by other fragrant creepers. Varieties of colorful flowers hang down to make the domes above the cottages. When the wind blows, these dangling flower creepers move about as natural camara fans to please Priya Yugala.

The sweet sounds of bees and cuckoos echo through the kunjas that are lit by phosphorescent vines. For the pleasure of Radha-Govinda, the kindly musk deer scent the air, and the camari cows sweep clean the forest floor with their long bushy tails.

Although the forest realm of Vrindavana exists beyond the reaches of time, it appears to display six unique seasons. Though resembling their material counterparts, the six seasons of Vrindavana are completely transcendental, charming and unlimitedly sweet because they exist only to increase the spiritual bliss of Krishna’s pastimes. The six seasons are known as: the joy of monsoon, the pleasure of autumn, the satisfaction of winter, the happiness of the dewy season, the beauty of spring, and the auspicious season of summer.

Besides the six distinct seasons mentioned above, the divine realm of Vrindavana is distinguished and beautified by three more seasons appearing in pairs as autumn and winter, dewy and spring, summer and monsoon. In this way, Vrindavana features nine seasonal forests.

But wait! There are actually ten seasonal divisions in Vrindavana (the six different seasons, the three combinations, and the six seasons together simultaneously manifesting in the same place as experienced in aprakata Sri Radha Kunda. Thus, Sri Vrindavana Dhama has ten different seasons!

In the tenth season (all six seasons at once) the youthful gopis take fresh kadamba flowers from the rainy season and fix them in their hair parts. They twirl autumn season lotuses in their petal like fingers, smear the pollen of winter lodhra flowers on their cheeks, and put bandhuli flowers from the dewy season around their necks. They place bunches of asoka buds from the spring over their ears, and entwine mallika garlands in their hair from the summer season. Every day, the Vraja gopis beautifully decorate themselves like this to worship their PriyatamaShyama.

Now we will describe the six major seasons of VrajaDhama which are the source of the ten individual forests.

The Six Seasons of Vraja

1. Rainy Season (monsoon)

During monsoon season the constant torrential rain showers resemble the intense pleasure derived from rendering pure, unalloyed devotional service. As a self-realized person becomes illumined with the eternal light of bliss, this season illumines the sky with flashes of flickering lightning which satisfy the heart. Clamoring dahuka birds mimic the conflicting arguments found in books of logic. Arjuna trees appear like a second sun to brighten all directions with their bold red flowers.

Rain showers during particular naksatras summon effulgent emeralds appearing like tender shoots of grass. The camuru deer mistake the emeralds for shoots of grass and try to nibble on them. When’ the indragopa (tiny red insects) crawl on these emeralds, they appear like tiny rubies moving across a green bodice stretched across the breast of the earth.

Kadamba flowers fill the air with a sweet herbal aroma. Due to the constant pouring of misty rain, the air always feels cool and refreshing. The rumbling clouds sound like cataki birds crying in anguish, “Please give us rain and save our lives.” The clouds answer, “Do not lament, I will rain now.”

The monsoon season abounds with a symphony of sounds. Everywhere catakabirds call, tithi birds chirp, daduri birds cry, peacocks wail piteously, clouds roar, and raindrops pitter-patter. The nourishing waters of this season beautify all the trees and gardens.

The abundant ripened fruits of the mango trees tint the center of the forest with a golden glow. With all kinds of colorful hues the gardens of Vrindavana appear as beautiful as a painting.

2. Autumn Season

Lakes of Vraja

The splendorous season of autumn is characterized by lakes full of deep blue water filled with red lotus flowers that look like the lotus feet of Visnu being caressed by the loving lotus hands of Laksmi. Brimming with water, these lakes are as clean and pure as the sinless heart of a devotee aspiring for prema. As Narayana is beautified by the presence of the joyful Goddess of Fortune, similarly, the autumn lakes are beautified by the presence of cakravaka birds and blossoming lotuses.

Groups of lazy swans sport freely in the lakes. Gliding along the water, they resemble liberated souls (parama/hamsas) swimming in the ocean of spiritual bliss. The cooing herons appear to be echoing the tales of Rama and Laksmana. Blue lotuses please everyone with their splendid fragrance, spreading through the land like the fame of the all-attractive Lord Sri Krishna. Red lotuses cast their colors across the autumn lakes like the setting sun coloring the evening sky with it pastel pinks.

The autumn moon shines brilliantly like a glinting sword unsheathed before battle. The large lakes of this season like Shyama and Radhakundas are very beautiful with warm water on their surfaces and cool water within. They resemble a peaceful man who keeps cool within, even when harassed by the hot words of a fool.

These cloud wisps appear like the white scarf of a young woman waving in the breeze, or cotton fluff carried by the winds personified as young girls. When the groups of pure white clouds reflect in the Yamuna, it appears like a brilliant white sandbar in the middle of the river. Three wonderful features fill the autumn season with bliss, namely the fragrant pollen from blooming lotuses, the directions darkening due to the swarms of bees maddened by the intoxicating fragrance of the chatima tree, and the wind driven clouds moving like freely roaming elephants.

Kaviraja Sri Karnapura Goswami’s Ananda Vrindavana Campu ki jai!

Radha-Govinda Vraja Lilas ki jai!  DasaRtuVanaVrindavana ki jai!

Jai Jai Sri Radhe!

All parts of Krishna Nectar Lilas can be found here.

Mahanidhi Madan Gopal Das

The Krishna Nectar Lilas series features wonderfully enchanting, rasa-filled pastimes of Sri Krishna in Vrndavana. These uniquely sweet lilas come from Sri Caitanya Mahaprabhu’s eternal associate Kaviraja Sri Karnapura Goswami’s “Ananda Vrindavana Campu.”

Kaumara Lilas

Krishna Nectar Lilas part one

Krishna Nectar Lilas part 2 “Ten Amazing Seasons of Vraja -1”

Krishna Nectar Lilas  part 3 “Ten Amazing Seasons of Vraja -2”

Krishna Nectar Lilas  part 4 “Sri Yamunaji & Giriraja Ji”

Krishna Nectar Lilas part 5 “Nandagram — Glorious Birthplace of Nandanandana Sri Krishna “

Krishna Nectar Lilas part 6 “Eternal Associates of Sri Krishna “

Krishna Nectar Lilas part 7 “Sri Krishna Janmastami”

Krishna Nectar Lilas part 8 “Chaitanya Mahaprabhu’s Nandotsava in Puri”

Krishna Nectar Lilas part 9 “The Witch Becomes a Mother”

Krishna Nectar Lilas part 10 “Krishna Frees Shakatasura”

Krishna Nectar Lilas part 11 “Gopal’s Charan Bihar”

Krishna Nectar Lilas part 12 “Gopal Steals Butter”

Krishna Nectar Lilas part 13 “Churning Kheer & Other Fun”

Krishna Nectar Lilas part 14 “Gopis Complain”

Krishna Nectar Lilas part 15 “Krishna Plays in Dirt”

Krishna Nectar Lilas part 16 “Gopal Eats Clay Laddus”

Krishna Nectar Lilas part 17 “Gopal Breaks the Pot”

Krishna Nectar Lilas part 18 “Gopal Runs Away”

Krishna Nectar Lilas part 19 “Binding Makhanchor”

Krishna Nectar Lilas part 20 “Freeing the Devas”

Krishna Nectar Lilas part 21 “Devas Pray”

Krishna Nectar Lilas part 22 “Nanda Frees Gopal”

Krishna Nectar Lilas part 23 “Bhoga and Bartering”

Krishna Nectar Lilas part 24 “Exodus to Vraja”

Krishna Nectar Lilas part 25 “Tent City”

Krishna Nectar Lilas part 26 “Yamuna Crossing”

Krishna Nectar Lilas part 27 “Gopal Becomes Vatsapal”

Krishna Nectar Lilas part 28 “Gopal Liberates a Calf”

Krishna Nectar Lilas part 29 “Gopal Destroys Demon Duck”

Krishna Nectar Lilas part 30 “Gopal Starts Playing Flute”

Krishna Nectar Lilas part 31 “Gopal Gopa Picnic”

Krishna Nectar Lilas part 32 “Gopal’s Playing”

Krishna Nectar Lilas part 33 “Gopal Liberates Snake”

Pauganda Lilas

Krishna Nectar Lilas part 51 “The Yogi Gopis”

 

Mahanidhi Madan Gopal Das

Vrindavana is a sacred realm filled with astonishment, sweetness, intimacy, bliss and delight. It is here only that madhurya Sri Krishna eternally enjoys the most fulfilling and sumptuously blissful pastimes of pure love with His dearest gopas and gopis. The wealth of Vrindavana is its unconquerable power of love. Thus Sri Krishna’s pastimes in Vraja surpass all His other lilas in madhurya (sweetness), because Krishna’s subjugation by love is the greatest in Vraja.

In this series, we will present the amazing vraja-lilas of Sri Sri Radha and Krishna as told by Kaviraja Sri Karnapura Goswami in his classic work “Ananda Vrindavana Campu”.

Reading Sri Kavi Karnapura’s writing is like drinking a most refreshing sweet nectar enhanced with a touch of camphor. The nectar is Krishna lila, and the fragrant camphor is the inspiring philosophy that Kavi Karnapura tastefully sprinkles here and there throughout the narration.

The source of Kavi Karnapura’s devotional writing expertise is Sri Chaitanya Mahaprabhu and Sri Advaita Prabhu. When he was a baby in Jagannatha Puri, the most fortunate Kaviraja once sucked on Mahaprabhu’s toe. And then later he took diksha from Srinatha Cakravarti, a direct disciple of Sri Advaita Prabhu.

As Srila Krishnadasa Kaviraja once blessed the readers of Krishna Karnamrta, we pass on this blessing to our friends: “One who constantly reads the Ananda Vrindavana Campu will understand the unbounded beauty and sweetness of Krishna lila [or the sweet charm of Krishna’s madhurya lila]:

saundarya madhurya krishna lilara avadhi,
sei jane ye karnamrta pade niravadhi

(Caitanya Caritamrta 2.9.308)

Coming soon in part two will be “Ten Seasons of Vraja”.

Kaviraja Sri Karnapura Goswami’s Ananda Vrindavana Campu ki jai!

Radha-Govinda Vraja Lilas ki jai!   Jai Jai Sri Radhe!

 

All parts of Krishna Nectar Lilas can be found here.

Mahanidhi Madan Gopal Das

This series of posts will present facts (tattva) regarding the identity, moods (gopi-bhava), intimacy and sevas of Srimati Radharani’s beautiful and talented handmaidens known as manjaris, kinkaris, or dasis.

Also we will present many astonishing and wonderful lilas to highlight the manjaris most personal and confidential sevas to Srimati Radhika and Her dearest Priyatama Shyamasundara.

The information here is based on the commentaries of Advaitavamsa Acharya 108 Sri Ananda Gopala Goswami and 108 Sri Ananta Dasa Babaji Maharaja taken from “Vilapa Kusumanjali” and “Radha Rasa Sudhanidhi” translated by Sri Advaita Dasji.

Manjari Tattva: Radha One in a Billion    

Sri Ramananda Raya told Sri Caitanya Mahaprabhu:

shata -koti -gopite -nahe –kama -nirvapana
-ihatei -anumana –sri -radhara -guna

“Not even a billion gopis can extinguish the blazing fire of Krishna’s lusty desires. Only Radha is qualified to do this.” (Caitanya Caritamrita 2.8.116)

From this one can understand Sri Radha’s uniquely magnificent glories!

Jai Jai Sri Radhe!

Manjari Tattva: Meeting Minds

While doing bhajan the sadhaka’s mind must meet the minds of the acharyas. Devotional service cannot be rendered while the mind remains in material consciousness. We must be able to exchange thoughts with each other. How pure the mind must be for that!

The sadhaka thinks, “Won’t I become the way Radhika, to whom I have given my life, wants me to be? O Swamini! Then You will not keep any secrets from me anymore!”

To attain Radharani’s seva, a devotee must give one’s whole mind to Radha, giving up everything else! Sri Raghunatha Dasa Goswami’s mind is in the kingdom of transcendental pastimes. So we forever pray to him for his mercy to accept us into that kingdom too.

Manjari Lila: Seva and Rasodgara

Rasodgara means amorous recollection. For example, while dressing Swamini in Varsana in the morning, the sakhis and manjaris will remind Radha about Her previous intimate amorous pastimes with Shyam, and thereby increase Radha’s prema for Her Priyatam.

While Tulasi-manjari hangs the garland around Swamini’s neck, she reminds Radha of Her past sports with Shyam: “If Shyam was now embracing You, there would be no need and no chance for me to put this garland on You!”

After adorning Srimati with the flower garland, Tulasi-manjari places a big jeweled mirror before Kishori and says: “Hey Shyamaju! Just see now how I decorated You!”

Swamini is enchanted when She sees Her sweet reflection in the mirror, and proudly says: “Tulasi! You really know how to make Krishna enjoy! Even when He sees Me without make-up Krishna becomes enchanted, so I cannot imagine how Krishna will feel when He sees this extraordinary beauty! Everything will be wasted if My hero cannot enjoy all this!”

In this way, Swamini speaks out Her heart to Tulasi in so many beautiful and intimate ways. Suddenly the vision (sphurti) ends so Sri Raghunatha Dasa Goswami laments and prays for another lila sphurti.

Blessed is this maidservant! How much rasa she makes Swamini relish while serving Radha and engaging Her in rasodgara! This cannot be experienced without allegiance to Sri Rupa Goswamipada and Sri Raghunatha Dasa Goswami. We must be very very eager to follow them as Sri Narottama Dasa Thakura prays:

rupa-raghunatha-pade -ha-ibe -akuti
kabe -hama -bujhaba -se -yugala-piriti

“When I shall be eager to follow Rupa and Raghunatha, only then I shall be able to divine love affairs of Lila Yugala Radha Govinda.”

Manjari Lila: Radha’s Rasodgara Showing Her Supremacy

One day in Varsana, Sri Radha engaged on rasodgara with Her confidante Visakha-sakhi.

Swamini said, “O Visakhe! I know My beloved Shyam loves Me! From whatever I see and hear I understand that Krishna has given His heart fully to Me! Shyam wears yellow cloth because Bihari loves My bodily luster so much!

“When I go out to bathe at the ghata, Giridhari bathes in the next ghata; and when Shyam is splashed by the water from My body, Hari comes running towards it with wide open arms. Just to touch at least My clothes, Krishna gives His clothes to the same washerman.

“When Hari hears even half a syllable of My name, Krishna becomes very happy. Just to touch My shadow Murari makes so many turns. Wherever My bodily breeze blows Krishna keeps His face in that direction.

“Wherever Shyam smells My bodily fragrance carried by the wind, Shyam stretches out His arms, turns His face, and runs in that direction like a madman. Krishna can’t find ways to express His mind’s eagerness!”

Srimati Radharani ki jai! Radharani’s manjaris ki jai! Jai Jai Sri Radhe!

Mahanidhi Madan Gopal Das

Since many devotees enjoy dancing (nrtya-seva) to please Sri Sri Radha and Krishna, we thought to share some treasures from Sri Rupa Goswamipada’s Bhakti-rasamrita Sindhu chapter describing bhava bhakti and attaining it by practicing raganuga bhakti.

Sri Rupa Goswamipada says that bhava bhakti appearing from sadhan-abhinivesh, which means intense practice of raganuga sadhana, is illustrated in the Padma Purana:

ittham -manoratham –bala -kurvati -nrtya -utsuka
hari-pritya- ca –tam- sarvam- ratrim –evat yavahayat

Translation:

“A young girl named Chintamaini, having great joy in her heart and being very enthusiastic to dance (nrtya utsuka), spent the whole night dancing in order to please Bhagavan Sri Krishna.”

Second translation by Sri Pandit Baba:

“Thus determined in her mind that Damsel Chandrakanti being eager to dance with Krishna spent the whole night in dancing before a murti of Sri Hari for His pleasure.”

Sri Jiva Goswamipada tika:

The word manoratham (with joy in the heart) indicates raganuga sadhana. By the influence of the murti of Sri Krishna, Chintamani developed raga similar to that of Krishna’s dear associates like Radharani.

While dancing the night away, Chintamani was thinking:

bahvishv- anyasu -narishu -mayy -evadhika-pritiman
nrtyaty -asau -maya -sardham kanthashleshadi-bhava-krt

Translation: Chintamani thought, “Among many women [gopis], Sri Krishna has the greatest affection for me. Krishna is dancing the Ras with me while embracing my neck.” (Bhakti-rasamrita Sindhu 1.3.14)

Radha decided to make that girl Chintamani Her sakhi when the girl reached the final stage [of prem]. By Her own mercy, Radha considered that the girl, having achieved all perfection by that sadhana [of enthusiastic dancing], was non-different from Herself.

For this reason, the Padma Purana says that the young girl Chintamani thought herself as the only lover of Krishna by identifying herself as Radha.

Sri Pandit Baba translation of Sri Jiva Goswamipada tika on this verse of Bhakti-rasamrita Sindhu 1.3.14:

“Sri Jiva Gosvami comments in this shloka that in the instance of Chandrakanti, the very fact of her mental determination for dancing before Krishna for His pleasures is itself raganuga bhakti.

Because at that time, the form of Krishna before her mind aroused in her heart the longing for the way of the eternal damsels of Braja, who were engaged in the Dance-sport with Sri Krishna. Thus she attained similar feelings in her mind.

Chandrakanti herself said: ‘Beloved Krishna is more attached for me than any other damsels, because Krishna is expressing His fondness for me and is dancing with me by embracing my neck!’

“Sri Radha Herself was graciously pleased with Sri Chandrakanti both during Her stages of spiritual practices as well as in Her state of final attainment of Sri Krishna.

“Thus Sri Radha accepted Damsel Chandrakanti as Her own friend Sakhi and made all Chandrakanti’s feelings towards Krishna identical with Her own feelings or Bhava toward Krishna. It is for this reason that in some places of the scriptures Chandrakanti has been identified with Sri Radha.”

We hope this inspires all devotees to keep on dancing before Radha and Krishna while blissfully chanting

Hare Krishna Hare Krishna
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama
Rama Hare Hare!!!

Nrtya seva ki jai! Jai Jai Sri Radhe!

Mahanidhi Madan Gopal Das

This series of posts will present facts (tattva) regarding the identity, moods (gopi-bhava), intimacy and sevas of Srimati Radharani’s beautiful and talented handmaidens known as manjaris, kinkaris, or dasis.

Also we will present many astonishing and wonderful lilas to highlight the manjaris most personal and confidential sevas to Srimati Radhika and Her dearest Priyatama Shyamasundara.

The information here is based on the commentaries of Advaitavamsa Acharya 108 Sri Ananda Gopala Goswami and 108 Sri Ananta Dasa Babaji Maharaja taken from “Vilapa Kusumanjali” and “Radha Rasa Sudhanidhi” translated by Sri Advaita Dasji.

Manjari Tattva: Thirst in Bhajan

The raganuga sadhaka should always think: “Is Radhika accepting the service that I offer to Her or not?”

It should not be that one is only doing bhajana for one’s personal happiness. “I have my prasadam, I’m healthy, everything’s OK! How many worldly things, like profit, adoration, distinction, money and fame, a person like me misses, but I never miss Radharani at all!” 

If you think like this, your bhajana will be lifeless and mechanical. All these ulterior motives make the mind very coarse, deceive us in different ways, and prevent us from tasting the clear, spotless flavors of Vraja.

This is not the natural beauty of bhajan. Bhajan is beautiful when you feel some want, some void. The great devotees’ thirst for bhajan can never be quenched, just as the thirst for water of someone who suffers from cholera can never be quenched.

Sri Narottama Dasa Thakura prays: parama -nagara -Krishna, ta-he –hao -ati -trishna, -bhajo –ta -re –vraja -bhava –loiya, “Krishna’s the greatest amorous hero, and one should be very thirsty for Krishna and worship Krishna in Vraja bhava.” Expertise in bhajan does not depend on anything else but thirst.

Manjari Lila: Astonishing Glances of Radhika

Krishna is controlled by His devotees according to the amount of love they have for Krishna. Sri Radhika has the greatest love for Krishna, therefore Radha controls Krishna to the utmost.

When Krishna returns to Nandagram in the afternoon, Swamini stands in Her moontower to discretely admire Krishna’s beauty from a distance.

Nagara Shyam does not look up, however, so Swamini, Her heart flooding with tremendous anguish of love-in-separation, stares fully at Krishna, drinking the boundless nectar of Krishna’s form with the cups of Her eyes. How many hundreds of emotions Radha reveals!

During manasi seva, manjaris bhava upasakas should try to see and feel Radha’s emotions during this exciting time.

Then Shyam looks up at Radhika, and both the Lovers become shy. Sri Radhika pulls Her veil straight and goes away. Then Radha stops and turns around again, thinking: ‘Before I go I have to see Shyam once more’, and casts a slight glance at Govinda.

It is a restless, momentary glance because Radha is very shy. Radha slightly smiles in a nervous way because Radha is so happy to see Krishna. Radha’s beautiful glance is anointed with bashfulness and humility.

Shyam thirsts for that glance of Swamini. How many things is Radha telling Shyam through Her love drenched glances! Radha’s glance is the great medicine that saves the life of Shyam, who also suffers of separation from Srimati. This is the treasure of Krishna’s meditation, so He keeps the sweetness of Radha’s glance carved on the slab of His heart.

Although Krishna controls everything and everyone in creation, these momentary glances of Radha even control Him! Although innumerable gopis are eager for His sweet glance, Krishna eagerly covets Radhika’s slightest beautiful glance!

Tulasi-manjari serves Swamini by carefully anointing Her beautiful eyes with eyeliner while making Radha relish the flavors of remembering these pastimes as well. How wonderful is the beauty of Radha’s kajal-anointed eyes.

Tulasi-manjari jokingly says, “O Radhe! This is not actually kajal (eyeliner), but garal (poison), setting Krishna’s heart on fire! When Krishna sees this kajal He will kiss Your eyes, so that the kajal will stick on Krishna lips! In this way my worship of Your attractive eyes will be complete!”

Manjari bhava sadhakas should meditate on serving Srimati as intimately Tulasi-manjari does, while simultaneously reminding Radhika of Her blissful pastimes with Shyamsundar. Indeed, this the perfection of Vraja bhajan.

Radharani’s manjaris ki jai! Jai Jai Sri Radhe!

Mahanidhi Madan Gopal Das

This series of posts will present facts (tattva) regarding the identity, moods (gopi-bhava), intimacy and sevas of Srimati Radharani’s beautiful and talented handmaidens known as manjaris, kinkaris, or dasis.

Also we will present many astonishing and wonderful lilas to highlight the manjaris most personal and confidential sevas to Srimati Radhika and Her dearest Priyatama Shyamasundara.

The information here is based on the commentaries of Advaitavamsa Acharya 108 Sri Ananda Gopala Goswami and 108 Sri Ananta Dasa Babaji Maharaja taken from “Vilapa Kusumanjali” and “Radha Rasa Sudhanidhi” translated by Sri Advaita Dasji.

Manjari Lila: Earrings to Spin Shyamsundara

In a vivid vision Tulasi-manjari places hoop-earrings above Srimati’s ears. The kinkaris are very proud of the sweet form of their Ishvari, and they say: “O Radhe! Although it is just an insignificant ornament, these disc earrings will still cause Krishna to spin around after I them put on You! That is my intention! I want to agitate Krishna and make Him spin around like this, searching and searching for You until He meets You!”

Krishna is very dear to the manjaris when He becomes anxious to meet their Sri Radhika. The heart of the kinkari is filled with pride when she sees the sweet form of Radha. How many hundreds of experiences of Krishna Tulasi-manjari gives to Swamini in this way!

The manjari prays to Radharani, “Although I am not qualified to serve You, Radha are so merciful that You have accepted this maidservant!”

Manjari Lila: Radhika’s Musk Dot

Holding a cup with fragrant musk in her left hand and a brush in her right, Tulasi-manjari stands before Swamini. She holds it close to Swamini’s nose so that Radha will remember Krishna’s bodily fragrance. While Radha’s eyes, that extend to Her ears, move around restlessly, Radha asks Tulasi:

“Where is this fragrance coming from? I understand that My Priyatama is coming!

O sakhi! The fragrance of Krishna’s body defeats the smell a blue lotus flower anointed with musk and it maddens the world! It enters women’s noses and always remains sitting there, holding them and taking them to Krishna. It steals the bodies and minds of women and then they become like madwomen.”

Srimati Radha is agitated by smelling the musk and thus shows many sweet emotions through the expressions of Her face and eyes. Understanding that Radha is feeling separation from Krishna, Tulasi-manjari says: “You know what this chin of Yours is? It is the temple of Mukunda’s bliss! This musk drop looks like a baby bee drinking honey from a golden lotus flower!”

Tulasi-manjari prattles on, “Krishna is black so He will become jealous of this drop. The owner of this temple will come and wipe off that drop by kissing Your chin! And that’s exactly what I want!”

In this way, the expert manjari serves Sri Radha by lovingly making so many luscious jokes while putting the musk-drop on Swamini’s chin. This drop makes the natural beauty of Sri Radha’s face even more brilliant! Tulasi-manjari brings strong emotions into Swamini’s heart that is suffering separation. How many memories of different pastimes Tulasi awaken in Swamini’s heart. Blessed is her expertise in service!

Being fully surrendered to Radhika, the maidservants know exactly what is on Swamini’s maha-bhava filled mind, and they serve Radha accordingly. By Swamini’s grace the manjaris know exactly what Radha needs!

Manjari Tattva: Unlimited Mercy

Those who want to make their bhajan a success must depend on the words of the great teachers of manjari bhava sadhana like Sri Rupa Goswamipada and Sri Raghunatha Dasa Goswami (Tulasi-manjari). Each syllable of these compassionate rasika acaryas crystallizes one-pointed loyalty to Sri Radha’s lotus feet.

Sri Krishna bestows his mercy after due consideration, but Swamini Radha is endlessly merciful personality because Radha bestows Her mercy without any consideration! Radharani’s compassion will certainly descend when She hears a devotee anxiously praying: “O Radhe! My heart is blinded by illusion! Please purify me and give me shelter at Your sweet lotus feet.”

Radharani’s manjaris ki jai! Jai Jai Sri Radhe! 

Mahanidhi Madan Gopal Das

Srimad Bhagavatam is called the “king of all spiritual books” (Grantha Raja) for good reason. Within this triguna-free, transcendental treatise, the amala-purana, which showcases the absolutely selfless, divine love of Srimati Radharani, one can find all the sweet, majestic and beautiful truths about the sadhana and sadhya (daily practice and perfection) of Gaudiya Vaisnavism.

In his most compassionate and wonderful shastra, Sri Chaitanya Caritamrita, Sri Krishna Dasa Kaviraja summarizes the teachings of Sri Caitanya Mahaprabhu and the six Goswamis of Vrindavana by mentioning the same Bhagavatam verses that they used to substantiate their sublime instructions.

To emphasize the importance of these particular verses for all Gaudiya Vaisnavas, the same Bhagavatam verse is often mentioned two, three or more times in the Sri Chaitanya Caritamrta.

This series of posts presents these verses, along with selected tikas of our acharyas and the compiler. We will cover the beautiful truths, tattvas, of Krishna, Radha, Vaisnavas, Sri Guru, Bhakti Sadhana, Nama, Prema and more.

This post will present two Bhagavatam verses which best display Bhagavan Sri Krishna’s unique transcendental qualities of unexcelled beauty and unfathomable compassion. Acaryas tell that Vyasadeva directed his students to recite these two verses to Sri Shukadev who had run away into the forest to escape the bondage of samsara.

Upon hearing these astonishing verses, Shukadev become so overwhelmingly attracted and amazed that he abandoned his absorption in impersonal Brahman. He returned to his father’s ashram and heard the Srimad Bhagavatam from Vyasadeva. As a result, Shukadeva became great devotee of Radha and Krishna.

When Sri Nityananda Prabhu heard the venu-gita verse describing Sri Krishna’s gorgeous, beautiful divine form, He uttered “Ha Krishna!” and fainted, manifesting the eight ecstatic symptoms in His body. (Chaitanya Bhagavata 2.4.9)

Sri Pandit Baba said the following verse spoken by the gopis, whose matchless love for Krishna gives them the greatest perception, is the best verse describing Sri Krishna’s exquisite natural beauty. We humbly suggest that all devotees should learn these two most important verses for constant remembrance.

Krishna: Reality the Beautiful

barhapidam -nata-vara-vapuh, -karnayoh –karnikaram
bibhrad -vasah -kanaka-kapisham, -vaijayantim -ca -malam

randhran -venor -adhara-sudhaya, -purayan -gopa-vrndair
vrndaranyam -sva-pada –ramanam, pravishad -gita-kirtih

“Shyamasundara is entering the forest of Vrndavana accompanied by His cowherd boyfriends. In Krishna’s turban there is a peacock feather; over Krishna’s ears, a yellow karnikara flower; on Krishna’s body, a yellow dhoti glitters like gold; and around Krishna’s neck, extending down to Krishna’s knees, is a heart-stealing garland strung with five kinds of fragrant forest flowers.

Krishna’s beautiful dress is like that of an expert dancer on a stage, and the nectar of Krishna’s lips flows through the holes of Krishna’s flute. Singing Krishna’s glories, the cowherd boys follow from behind. In this way, this Vrndavana, which is more charming than Vaikuntha, has become even more beautiful by the impressions of Sri Krishna’s lotus feet, which are marked with the conch, disc and other symbols.” (Srimad Bhagavatam 10.21.5)

Sri Sanatana Goswami tika

The Vraja gopis are the best analysts of the glories of Krishna’s flute, which they frequently praise for its captivating power. More than anything else, the sound of Krishna’s flute most fully expresses the essence of Krishna’s sweetness (madhurya). This form of Krishna with attractive forest dress is the one which disturbed the gopis’ minds. Venugopal played the flute with a special bhava, which enchanted Him as well as the gopis.

Sri Jiva Goswamipada tika

Sri Krishna’s pearl necklace and gold armbands are not mentioned because of the overwhelming attractiveness of Krishna’s forest ornaments. The phrase “filled the holes of the flute with the nectar of His lips” indicates that the deep sound of Krishna’s flute would be as attractive, pleasing and satisfying as the nectar of Krishna’s lips. Vrindadevi cleaned and decorated the forest specially with the intention of stimulating Krishna for intimate pastimes with the Vraja gopis.

Sri Visvanatha Cakravartipada tika

Sometimes Krishna wore one karnikara flower on the left ear and sometimes on the right ear to express the intoxication of His youth. Krishna purposefully dressed in an artful way to display His youthful charms in order to incite romantic desires within the gopis. Krishna’s flute song fully exhibits its powers by conquering the Vraja-gopis with Cupid.

The Limit of Compassion

“Krishna is so merciful that He gave Putana rakshasi the position of mother. You will never find in any country, at any time, in any grantha, any shastra, such a merciful Lord as Krishna. This is the message of Srimad Bhagavatam.” (Sri Gaur Govinda Swami)

“Upon hearing the following verse, Pundarika Vidyanidhi, an eternal associate of Sri Caitanya Mahaprabhu, became very serious. He began to throw his hands and feet left and right. He began to roll on his bed, tearing off his silk clothing and the silk sheets. He was pulling out his beautifully curled and decorated hair.

He began to cry, ‘Of whom should I take shelter but that most magnanimous Sri Krishna? Where should I take refuge, without such a great master.’ With this upon his lips, he was rolling on the floor in ecstasy.” (Sri Swami B.R. Sridhar)

aho -baki –yam,- stana-kala-kutam
jigham –sayapaya, -yad -apy -asadhvi
lebhe -gatim dhatry, -ucitam tato ’nyam
kam -va -dayalum, saranam -vrajema

Lamenting in separation from Sri Krishna, Uddhava sighed, “Aho, how wonderful it is! Although the Putana-witch came to kill Krishna with her poison-smeared breasts, Krishna granted her the position of a nurse in Goloka Vrndavana! To whom else but this merciful Krishna, who grants a good destination even to someone who simply dresses like a devotee, should I take shelter?” (Srimad Bhagavatam 3.2.23)

Sri Visvanatha Cakravartipada

Even though Putana, who feigned the sentiments of a mother, gave Krishna poison to kill Him, she attained a position in Goloka similar to the nurses of Krishna named Ambika and Kalimba. Though Putana only had the dress of a devotee, she attained love suitable to a devotee. Though she hated Krishna, Krishna made her a special example. This incident shows Krishna’s quality of giving liberation and bhakti to even those who hate him.

Bhaktivedanta Swami Srila Prabhupada tika

Here is an example of the extreme mercy of Bhagavan, even to His enemy. Krishna may assume the form of a baby or a shape other than that of a human being, but it doesn’t make the slightest difference; Krishna is always the same Supreme Godhead. This lila shows that Krishna accepts the least qualification of a living entity and awards one the highest reward. Therefore, who but Sri Krishna can be the ultimate shelter?”

Sri Ananta Dasa Babaji tika

“Whose heart will not be filled with hope after hearing how merciful Govinda redeems the fallen by kindly rewarding a witch who came to kill Him? Then what can we say of the destination of spontaneous and sincere devotees.”

Srimad Bhagavatam ki jai! Jai Jai Sri Radhe!

Mahanidhi Madan Gopal Das

This series of posts will present facts (tattva) regarding the identity, moods (gopi-bhava), intimacy and sevas of Srimati Radharani’s beautiful and talented handmaidens known as manjaris, kinkaris, or dasis.

Also we will present many astonishing and wonderful lilas to highlight the manjaris most personal and confidential sevas to Srimati Radhika and Her dearest Priyatama Shyamasundara.

The information here is based on the commentaries of Advaitavamsa Acharya 108 Sri Ananda Gopala Goswami and 108 Sri Ananta Dasa Babaji Maharaja taken from “Vilapa Kusumanjali” and “Radha Rasa Sudhanidhi” translated by Sri Advaita Dasji.

Manjari Tattva:  Mentally Meeting Sri Krishna

Sri Raghunatha Dasa Goswami personally relished the sweet rasa of manasi-seva and taught it in his books like Vilapa Kusumanjali. Mental service is the very life-force of the externally rendered devotional service. Srimati Radharani accepts all service rendered within the mind by a raganuga sadhaka.

Regarding Sri Krishna’s acceptance of manasi-seva, Sri Rupa Goswamipada says (Bhakti-rasa-amrita 1.2.182)

manasen -opacarena
paricarya -harim -sada
pare -van -manasa -gamyam
tam -sakshat -pratipedire

“One who always serves Bhagavan Sri Hari with items produced in the mind, will directly meet Sri Hari, who is otherwise not perceivable with material words or mind.”

Manjari Lila: Bihari the Barber Girl

The service of Sri Radha is so attractive that Sri Hari sometimes dresses like a barber-girl, dhari -napitani –vesh, to enter mother Jatila’s house. Holding a mirror and nail polish in His hand, Krishna goes to the place where Radha is sitting.

Then that humorous, amorous “barber girl” sits down, opens her golden box and fills a clean jug with scented water. She makes Radhika’s nails as beautiful as the moon with Her wonderful nail polish.

Then she rubs Radha’s feet with footlac while constantly seeing whether it looks good. Holding Kishori’s feet to her chest, the barber girl writes her name on Radha’s footsoles in a wonderful way.

The barber-girl says: “O fortunate girl! Look at Your feet and consider if my work is good or bad.”

Looking carefully, Suvadani Radha says, “Ohe! What name have you written there? Introduce yourself to Me!”

“O fortunate girl! My name is Shyamaa and I live in Your town.”

However, the barber girl accidentally wrote her name Shyamaa as Shyam which means Krishna.

Radha says, “Why did you write THAT name?”

The barber girls apologizes saying, “I am sorry, I cannot spell so well.”

Seeing through Krishna’s hoax, Radhika Rai says, “Rogue! It’s YOU (Krishna).”

The service of Premamayi Radha is the greatest wealth of Rasika Raja Sri Krishna. The manjaris witnessing Krishna’s spoof feel very proud of their Swamini Radha, whose seva is most desirable even for atmaramata –svayam Bhagavan Sri Krishna.

Radharani’s manjaris ki jai! Jai Jai Sri Radhe! 

Mahanidhi Madan Gopal Das

This series of posts will present facts (tattva) regarding the identity, moods (gopi-bhava), intimacy and sevas of Srimati Radharani’s beautiful and talented handmaidens known as manjaris, kinkaris, or dasis.

Also we will present many astonishing and wonderful lilas to highlight the manjaris most personal and confidential sevas to Srimati Radhika and Her dearest Priyatama Shyamasundara.

The information here is based on the commentaries of Advaitavamsa Acharya 108 Sri Ananda Gopala Goswami and 108 Sri Ananta Dasa Babaji Maharaja taken from “Vilapa Kusumanjali” and “Radha Rasa Sudhanidhi” translated by Sri Advaita Dasji.

Manjari Tattva: Chaitanya Mahaprabhu as s Manjari

How glorious are the kinkaris, who are dedicated to the service of the full madana -mahabhava personified, Srimati Radhika! Krishna became Gaura to taste the prema that Radhika feels for Him. And after Mahaprabhu experienced that, Sri Chaitanya also wanted to taste the nectar of the kinkari’s service.

While Mahaprabhu relished the mood of Radha’s manjaris, sometimes Gauranga’s hands, legs and head would all enter within His body, just like the withdrawn limbs of a tortoise, kurma-chaitanya (Chaitanya Charitamrta 2.2.13). Or sometimes Mahaprabhu’s limbs would loosen and stretch out.

Chaitanya Charitamrta (Antya 14.105-110) describes Mahaprabhu’s mad words after He came out of His kurmakrti (turtle-form). Sri Chaitanya Mahaprabhu said:

“Today I went to Govardhana Hill to see if Krishna was tending His cows there. Climbing on Govardhana Hill, Krishna played His flute, surrounded by the cows. Hearing the flute song, Srimati Radha came there. O sakhi, I cannot describe Her form and mood! Krishna took Radha by the hand and entered a cave with Her, while the sakhis told Me to pick some flowers.”

Here it is clear that Mahaprabhu, in the pinnacle of His ecstatic absorption, is relishing the mood of Radha’s manjaris. For the service of Radha-Madhava the sakhis have asked the kinkaris to pick flowers and Mahaprabhu is amongst them.

Another example of Mahaprabhu’s manjari bhava is the time He almost drowned in the ocean due to divine rapture (Chaitanya Charitamrta 3. 80-105). All His joints became disconnected out of ecstasy, and Mahaprabhu told His devotees in half-external consciousness:

“Seeing the Yamuna-river I went to Vrndavana, where I saw Vrajendranandan playing in the water with Sri Radhika and the gopis, having great fun. I stayed on the shore with the other sakhis, while one sakhi showed this pastime to the others.”

Here Mahaprabhu explains that He did not play an active role in Krishna’s pastimes, but that He was relishing a service-position like that of a manjari witnessing these sweet pastimes. Besides tasting and experiencing manjari bhava, Sri Chaitanya Mahaprabhu taught it to the devotees through Sri Rupa Goswamipada and Sri Raghunatha Dasa Goswami.

Manjari Tattva: Manjaris’ Responsibility

To taste the sweetness of the love in Vraja, one must give up the attitude of awe and reverence towards Bhagavan Sri Krishna. Vraja is the kingdom of sweetness and the upasana (method of worship and meditation) of Vraja rasa is a sweet upasana. The love of Vraja is as pure as molten gold, and there’s not even a whiff of personal happiness in the hearts of Krishna’s Vrajavasi devotees.

Srimati Radharani sings (Chaitanya Charitamrta 3.20.58):

“Krishna is My life and soul. Krishna is the treasure of My life. Indeed, Krishna is the very life of My life. I therefore keep Krishna always on My heart and I make Krishna happy with My service. I always meditate on this.”

And Radha’s maidservants always meditate on the pleasure of Yugala Kishora. Radha and Krishna have given Themselves to Each other and left all responsibilities for the arrangements of Their loving affairs to the sakhis and the manjaris. The playful Sri Yugala have taken shelter of them. Sometimes Radha and Krishna become helpless and find no other means to meet without taking shelter of the manjaris.

Radharani’s manjaris ki jai! Jai Jai Sri Radhe!